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Category Multimedia

Automatically Classifying Crowdsourced Election Report

As part of QCRI’s Artificial Intelligence for Monitoring Elections (AIME) project, I liaised with Kaggle to work with a top notch Data Scientist to carry out a proof of concept study. As I’ve blogged in the past, crowdsourced election monitoring projects are starting to generate “Big Data” which cannot be managed or analyzed manually in real-time.

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The Relationship between Visual and Text

While we seem to spend an enormous amount of virtual space at AIAC critiquing the ways that Africa and Africans are represented, we do so because we believe that it is possible to subvert expectations, to create images that shatter myths and ideology and that make people think about why they are surprised by particular representations.

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Mali needs heroes at the moment–even cinematic ones will do

Mar16

Mali is short of heroes at the moment. War in the north has produced very few, only villains aplenty, some of them in uniform. The same holds for Bamako’s deep, existential political crisis. Many people have tried to seize the moment; few have risen to it. So it’s good to be reminded of someone like Ibrahima Ly.

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The media caricature of Hugo Chavez

Mar8

The mainstream media has been in overdrive working lockstep to uphold their ridiculous caricature of Hugo Chávez. The campaign has led to some pretty desperate and shallow displays of journalism.

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Oil theft: Shell Nigeria may shut down pipeline

Shell may be forced to completely shut down its 150,000 barrel per day Nembe Creek oil pipeline in Nigeria due to an “unprecedented” amount of oil theft. The Nembe trunkline is one of the most important production routes for Africa’s top crude oil exporter, feeding the benchmark Bonny Light export terminal.

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Zina Saro-Wiwa’s ‘Phyllis’ and the subversion of Nollywood cinema

Mar1

Zina Saro-Wiwa’s “alt-Nollywood” short film, Phyllis, is one of the weirder fifteen minutes of film I’ve seen in some time. “Using Nollywood to subvert Nollywood,” it is an atmospheric, impressionistic, and haunting film, chronicling Phyllis’s emotional states as she takes the wigs that form such a huge part of her identity on and off.

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