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Category Culture

The Real Housewives of Harare

Memory Gumbo is a mother, an “ordinary woman”, living in Harare, Zimbabwe. Tsitsi Dangarembga is an internationally recognized writer and filmmaker, living in Harare as well. Both agree on at least one thing: That “No to loitering,” sold to the public as a ‘crackdown’ on sex workers, has nothing to do with sex workers. In plain language: The current campaign against loitering has nothing to do with loitering. It’s an attack on women, and it’s part and parcel of Zimbabwean history, colonial and post-colonial.

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It Takes a Village to Educate a Girl

Niamey (Niger) – A decade ago, less than a third of school-aged girls in Niger were in class. Today, though significant cultural and religious opposition remains, nearly two-thirds of girls are enrolled in school.

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The Cartography of Bullshit

With the gutting of foreign coverage by most U.S. newspapers and the need to populate infinite Web space with content, a new creature has emerged: the foreign affairs blogger. Max Fisher, who hosts the Washington Post’s WorldViews page, is a leading exemplar of the species.

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Ethiopian Journalists Hope New Council Will Ease Restriction

Addis Ababa- Several Ethiopian publications are coming together to set up a ‘press council’ with the hope of easing restrictions on the media in Ethiopia. The journalists suggested the idea of the council at a May 3 meeting held at the behest of the Ministry of Information to discuss media reforms in the country.

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For an enhanced EU-Africa agricultural cooperation, by Dacian Ciolos

EXCLUSIVE. The joint meeting of the Commissions of the African Union and of the European Union earlier in April confirmed our common desire to place agriculture at the top of our respective political agendas. The stakes are high if we are to take up the challenge of food security and economic development in rural areas.

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The Relationship between Visual and Text

While we seem to spend an enormous amount of virtual space at AIAC critiquing the ways that Africa and Africans are represented, we do so because we believe that it is possible to subvert expectations, to create images that shatter myths and ideology and that make people think about why they are surprised by particular representations.

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