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Tag Binyavanga Wainaina

Why we made a film about the images and myths that cast a continent as a victim

We’re making the documentary film, FRAMED, because we recognize a lot of Americans want to do good in Africa, with the best of intentions, but the way they go about it often doesn’t play out well for Africans. In western pop culture, we’re still seeing images of Africans as helpless, hopeless and without any ideas about how to change their own societies.

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The social history of a ‘moral panic’ in Nigeria

It’s déjà vu all over again. Thirty five years ago, Stuart Hall and colleagues wrote one of the founding works of Cultural Studies, Policing the Crisis: Mugging, the State, and Law and Order.

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I am a homosexual, mum

Hey mum. I was putting my head on her shoulder, that last afternoon before she died. She was lying on her hospital bed. Kenyatta. Intensive Care. Critical Care. There. Because this time I will not be away in South Africa, fucking things up in that chaotic way of mine. I will arrive on time, and be there when she dies. My heart arrives on time.

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The Afropolitan Must Go

My first thought when reading Taiye Selasi’s 2005 essay ‘Bye-Bye Barbar’ (or ‘What is an Afropolitan?’) was that this is the kind of sludge that would piss off Binyavanga Wainaina.

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L’Afrique Est Un Pays

This past October was the Dutty Artz crew’s 6 year anniversary, so we decided to celebrate by releasing a compilation in the form of a series of four free geographically-oriented EPs with accompanying DJ mixes.

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Typecasting Binyavanga Wainaina

How do you write about a place that occupies a mythic place in the imagination of outsiders? And how do you write about national and personal identity when identity does not obey the neat idea of nation states and borders?

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