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Brenda Fassie: a revolution without harmony

In 2002 when it debuted, I went to see ‘Amandla: a Revolution in Four-Part Harmony,’ American Lee Hirsch’s film about the role of music in the anti-apartheid struggle. Uplifting and solemn at the same time, I admit, I cried. But I also doubted that the music in the film was the only, or even most interesting, music going on. continue reading »

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